
it seems I tend to think in manifestos...
I have been here before, when the forum was describing a rope, a snake, a wall or a spear, and I tried to describe the elephant. My tortured analogies prompting:
Riggerjack, honestly, I have no idea what the fuck you are talking about. If I had to guess, it seems, as usual, that you are requesting everyone on the board to view a very complex and variegated and interesting discussion with global repercussions through the heuristic of the fact that you apparently lay cable for a fucking living. And this is despite the fact that you have repeatedly demonstrated a gross unfamiliarity with the situation not to mention stating explicitly "its not your problem."
I only view you as someone who overextends their existential reality to the broader of the issues of the world, a trait that I find amongst the provincial. How this thread moved from Jeff Bezos in Queens to Riggerjack in buttfuck is beyond me but ultimately not surprising based upon my experience of contributing to threads with you on them.
And I laugh each time I read it.
So, today, I am going to try a different tack.
Because I agree with all the points raised so far, but none of the conclusions. Experience has shown me that I can't convey what an elephant is, but maybe if I help each of you see how each of your own descriptions relate to each other, a better understanding can be formed.
I'll be quoting, alot. I understand this is a bit a a peeve for some. If I knew a better way, I would use it.
Chesterton's fence: In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it."
Amen, Brother.
Intellectual property doesn't exist in a vacuum especially on the internet. Every online book, movie, video, paper, etc., exists only because of the infrastructure in place. Hosting content online costs money. Some of this money is recouped and/or profits made by the selling of the intellectual property hosted therein. By stealing online content you're not just stealing from the creator but also from the people who depend on the revenue generated by the commercial activities on their site.
I completely agree with you. In fact, when you consider the typical split, you might say I am targeting the people who are depending on that revenue.
When revenues drop, businesses are incentivized to cut pay, lay off workers, or replace workers by automation. Despite what many may think, providing all this online content isn't cheap and it employs huge swath of people at various income levels.
Yeah, that's gonna suck. My career has been in wireline telecom, I can understand how tough that is to go through.
You can paint IP law as an anachronism rooted in the "King's Law" or a mechanism for funneling money to the wealthy but that doesn't lessen the impact on the lower wage workers involved in serving up the IP content. If you don't like IP law then you should work to change the law and not circumvent it via theft. When profits are diminished you either increase prices or diminish the cost of production by either 1) automating 2) lay offs 3) reducing quality to an acceptable threshold 4) exporting production to a lower wage economy.
Yes, I agree, one through four is definitely going to happen. I disagree with your conclusion. We are far from conclusions at this point. We haven't even sketchtched out the scope of this change, yet.
@riggerjack - So, just so we're all clear, you're advocating collective ownership of all intellectual property ? Lawfully selling bootleg DVDs of films and PDFs of bestsellers, as but one example ?
Actually, I am advocating relaxing our moral outrage, and looking at the change in the world, that we are talking about. (Though it may be hard to tell, I haven't thought about this in 15 years, and I'm afraid I used to be a much, much, angrier young man, and some of that was triggered.

) until we really look at that world, and compare it to our own, how are we to judge it?
This is easier, with fewer changes. So let's just consider how this works out if things progress fairly steady from here. Piracy is an outlaw activity, but not worth prosecuting. Like medical marijuana, semilegal in some places, less so in others.
What does this world look like?
The problem with getting rid of all intellectual property rights is simple. While the creator of intellectual property may not care if their creations are personally profitable and only desire to create universally beneficial items for the greater good, those who have the means to distribute IP at scale are not working for free. To deliver items at scale requires infrastructure and human personnel; all these items cost money. So these costs must be paid for either privately via voluntary transactions or by force via taxes.
I agree. But what if we don't go to the extreme, and get rid of all IP? What if we did what we are doing right now, as described in this thread? At similar rates? How does that look?
I wonder why your friends didn't get a sound legal opinion before signing the contract. Based on the facts you've told me, my sympathy for them is limited.
You really have no understanding of what the term "starving artists" refers to, do you?
In any event it sounds more like a case of contract law than specifically IP law.
And if I were advocating a change in law, this would apply. I'm not.
You seem to be of the opinion that creative types should also be good business types, or it's probably for the best that they signal an economically hazardous path. That is an odd filter. What are you looking for, and why? (Serious Question.)
How would you feel about me stealing your parent's art ? (Serious question)
Serious answer: I am a more civilized old man, than I used to be, so I would resist the urge to hunt you down.
On the other hand, if you want to make a copy, please help yourself.
Art and copies are not the same thing. They aren't even synonymous. The only reason we associate one with the other is that's how we traditionally delivered copies and payments. That seems to be changing.
Creation requires capital (human and logistical). The artist either needs a patron so he can be supported during the creative process or sufficient capital gained by personal savings or employment. So either the artist must raise his own money or find someone who thinks his creation is worthy of the money invested or donated. After the creation is made, someone has to bring this creation to the market and this has an associated cost. And barriers to entry are typically enforced or created by governments - you're not going to change this behavior by pirating. The only thing piracy guarantees is the distortion of market information, the reduced desirability of incurring the cost of bringing art/IP to the market, and the incentivisation of recouping costs via layoffs, automation, or price increases paid by the honest consumer.
Yes! This. What does this look like? Who gets paid? Who doesn't? How does this affect financing? How does the changes in finance change which projects are made, and the risks those projects can take to serve a more discriminating audience?
That's probably enough questions for one megapost. Sorry, if I taxed anyone's patience.
